视频简介
伊莎、莫莉以及朋友们一起回到学校参加校友会，俩人见面时还有些尴尬，她们的关系也没有恢复如初。莫莉有些担心她们再也回不到过去了，凯莉安慰她，应该顺其自然不要太强求。伊莎等人在校友会上遇到了不少老同学，他们一起回忆起当年的快乐时光，同学们还想撮合莫莉和学生时代的男朋友欧马利重归于好；而凯莉却被误认为已经去世，但生性乐观的她也并不以为意。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。
