视频简介
走りで最強を目指すと豪語するジャングルポケットは＜トゥインクル・シリーズ＞でのフジキセキの走りに衝撃を受け、レースの世界に飛び込む。 トレーナーと共にデビューを果たしやジャングルポケットは、一生に一度しか走れない栄誉あるクラシック三冠レースに挑む。 しかしそこに立ちふさがったのはアグネスタキオンやマンハッタンカフェといった同世代のライバルたちだった。 新時代の扉を開く熱き戦いが、いま始まる―。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。
